Chandra Pips Arundhati to Commonwealth Prize. The Times of India News Service. NEW DELHI: Vikram Chandra’s Love and Longing in Bombay has won the. Vikram Chandra is one of those writers who really likes to spin a yarn. Unlike many contemporary fiction writers, especially from India, whose. In these five haunting stories Vikram Chandra paints a remarkable picture of Bombay—its ghosts, its passions, its feuds, its mysteries—while exploring timeless.

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Although this is a radical departure from the style and content of his first novel, it nevertheless displays the continued intelligent command of diverse materials…. He started off confidently across the street, and then all the sound in the world vanished, leaving a smooth silence, he had no recollection of being thrown, but now he was falling through the air, down, he felt distinctly the impact of the ground, but again there was nothing, no sound. The second I had the story in my hands again, I read it with the same rapt attention as I had the first time, and I loved it every bit as much.

Sep 13, Aubrey rated it really liked it Shelves: Click here to sign up.

Everything in the darkness appeared as shades, blackness and deeper blackness. This book should suffice if you want to read only one book by him. And the ending was satisfactory. There were old vlkram fish, half a century old at least, strung along the walls, and on the door to the bathroom there was a picture of a hill stream cut from a magazine, British by the look of it.

As Iqbal begins his channdra search for Rajesh, he is drawn into a world of underworld crime. He also evokes Hemingway and Frantz Fanon, his influences. The contour maps were covered with markers, and his mind moved easily among the mountains, seeing the units, the routes of supply, the staging areas.

Love and Longing in Bombay: Stories

It came out of the endless azure sky and settled in my bones. He went into the study and spread out some maps and began to work on operational orders.

On the surface it’s a mystery story, as a cop tries to track down the killer of what seems at first to be a traditional middle-class family’s ultra-respectable father.

Some of them, of course! The final story in the collection, though, is markedly different from the others: I may vent out some frustration – Love and Longing in Bombay is a collection of 5 short stories set in urban Bombay of the s – Artha, Dharma, Shakti, Kama and Shanti, all Indian words which mean: But we’re all haunted by them.


Loved the fourth one most. They were fighting an insurgency, and he knew of course that he was doing good work, that his concentration was keen, but he knew he would be tired the next day, and this annoyed him.

Love and Longing in Bombay by Vikram Chandra

The stories are rooted in a great sense of location, which reminds me of longinf like Steinbeck at his best. It is concise and flowing with quick results cgandra a novel where you can carry on forever without reaching any conclusion. Wherever they had met, far away from Bombay, he had always seen the old disappointment and weariness in their eyes.

All just sheets on the furniture. Incidentally, this tale does contain one of the longest Truly Hot passages I’ve read in a while: It is a clever and utterly convincing conclusion to a superbly crafted collection of stories.

I bought Chandra’s immense novel Sacred Games a little while ago. She viiram cried then and said she didn’t mean that at all. It feels just loove little predictable at times and not quite at the level of the opener. Beautifully written and deeply engaging in much the way of the magnificent Sacred Games but a lot less daunting in page count.

Critics around the world have embraced the book as a major work by this exciting young writer.

Love and Longing in Bombay is a collection of first-rate stories with vivid characters and longkng style that conjures up with swift economy the pain of love and longing… In many ways, Love and Longing in Bombay is more a novel than a collection of stories. View all 4 comments. This eclectic mix of stories on the vast canvas of one of the most intriguing cities of the world is quite a read.

Todywalla was a toothless old man with a round black cap squarely on the middle of his head. For three days he had been pacing, unshaven and unwashed, at the bottom of the stairs, watching the light make golden shapes in the air.

He left film school halfway to begin work on the novel. Un writing Red Earth and Pouring Rain, Vikram taught literature and writing, and also worked independently as a computer programmer and software and hardware consultant.

The book actually projects Indian culture and connects it to the West with the Indian-ness of an author. The train ride to Bombay from Calcutta was two days long, and there was a kind of relief in the long rhythms of the wheels, in the lonely clangings of the tracks at night.


May 23, Neha rated it liked it Shelves: Consider this passage where the focus is on the central character Shiela, one of the controlling figures of the story, whose elegance and quiet confidence made me think of her as someone who looked like an aged Leela Naidu: Then he saw his leg.

In fact, the tales could have taken place in any city in India, but it just happens to be Bombay, the muse of urban Indian write Here’s a real good writer. The stories in this collection are not an “easy read”, however, once you are in and underway each is gripping. The writer has stated very important philosophy that life springs from desires and gets its flowering in desire.

My Postcolonial Short Story class seems to be working, if this reception is anything to go by. At the backdrop of Bombay all the five stories take place. Bimbay the first landing, near an open door, he sensed a rush of motion on the balcony that ran around the outside of the house; he came to the corner, feeling his chabdra with his hands.

Vikram Chandra’s Love and Longing in Bombay: Suffice it to bombwy that he has to depend on the glossary added by the author or decipher his own meaning in the reference to the word. Love and Longing in Bombay contains five stories narrated by a Mr.

Now the noise echoed and boomed, lonhing it was difficult to tell where it was coming from, but Jago Antia still saw it all forming on his map, which was stained black now with sweat here and there, and dust, and the plaster knocked from the walls by bullets.

But the ghost child is the other self of Major that can be understood as an eye opener, who puts forth binary opposites. These stories are not, in the contemporary Anglo-American mode, temples to the symbol, or museums of the one resonant image that controls meaning.