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Stefanie Liedtke, bassoon and Lorenda Ramou, piano “Breathless”: Folk Songs Sinfonia A-Ronne.
Sequenza XII (author’s note)
Various sequenzz Kenneth Munday, bassoon. Sequenza XII is a composition for solo bassoonwritten by Luciano Berio in Osmond-Smithand part of a series of fourteen Sequenze composed between and Retrieved from ” https: This page was last edited on 7 Juneat Various performers Noriko Shimada, bassoon. Genre Chamber Music Classical.
Share on facebook twitter tumblr. In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniquesfor example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathingthe use of glissandoand multiple sounds producing by singing through the instrument while playing Osmond-Smith ; Pedone Sequenza XII is the longest of all the Sequenzeat nineteen minutes.
Rainy Day Relaxation Road Trip. In a live performance, the piece can stretch to close to half an hour; the performer’s ability to circular-breathe is virtually a necessity, with some glissando passages lasting for many minutes without a pause. You can help Wikipedia by expanding it. Streams Videos All Posts. Sexy Trippy All Moods.
All articles with unsourced statements Articles with unsourced statements from December All stub articles. In the case of Sequenza XII for bassoonPascal Gallois was a crucial catalyst for Berio ‘s decision to write the piece at all, demonstrating the wide-ranging personality of the instrument, including its timbral and technical possibilities. Views Read Edit View history.
Un re in ascolto Cronaca del luogo. This article about a classical composition is a stub. From Wikipedia, the free encyclopedia.
Luciano Berio: Sequenza XII
Jazz Latin New Age. Deutsche Grammophon 3CDs Ensemble InterContemporain members Pascal Gallois, bassoon. AllMusic Featured Composition Noteworthy.
Sequenza XII – Wikipedia
aequenza The piece is strung along a backbone of glissandi, with, as is typical of Berio ‘s monophonic Sequenzas, excursions into rapid melodic fragments and complex articulated gestures.
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